ToyBox Consulting

Katoya Palmer Public relation, marketing, sales, and event management consulting.

A Seattle based boutique firm specializing in sales, marketing, public relations, event management / production, and advertising projects. It's my Business to appropriately facilitate your project of any scale with trust, professionalism, and a positive energy while implementing new tools for professional success. "Think out the box" with TBC creative direction, nurture a trusting bond, and reap long term results.

Offering Consulting and Project Management Services in the following: Sales Marketing Public Relations Image Consultant Social Media Management Professional Blogging Event Planning and Management Fundraising Writer (Press Releases, Reviews, Bios, etc) Business Development Concert and After Party Business Events Celebrity Booking

For over ten years I've focused on building of sales, management, customer relations, marketing and advertising related skills with an emphasis in non-profit, sports, small business, start-up, and entertainment industries. My major event production resume is steadily growing and expands into fine, performing and visual arts; fashion, and music events organized.

Specialties: Meetings facilitation, marketing strategy, personal events, public relations, community relations, concerts, celebrity booking, fundraiser, branding, reputation management.

Celebrity Booking projects: Jean Grae, Jagged Edge, Amber Rose, Rick Ross, Wale, Tasha Jones, Black Ice, Jagged Edge, Gyptian.

Direct booking responsibilities for Black Stax (Jace Ecaj, Silas Blak, Felicia Loud) and the Klyntel band.

Recent Tweets @Toyboxnw
Posts tagged "portland"

via By Matt Moore | Senior NBA Blogger

June 16, 2012 8:24 pm ET

There have been rumors, from essentially the moment Brandon Roy hung up his sneakers (does anyone say sneakers anymore?), that Brandon Roy would attempt a comeback after his retirement earlier this year due to repetitive knee injuries. It was hinted at several times, including last February, that Roy was not done trying to play in the NBA.


I’VE LINKED THE COMPLETE DIALOGUE IN THE STATEMENT BELOW.

On Friday night, Roy was tweeting via his friend Will Conroy, and confirmed his comeback.

NW Event Reminder…  @lupefiasco, @lloyd_yg, and @djogone THIS FRIDAY

*Lupe Fiasco* with LLOYD + Mikey Vegaz - Special Guests & DJ O.G. One

Tickets Available At: 

www.ticketmaster.com/event/0F004852E6093E61


- ALL TicketMaster outlets & 
- PCPA Box Office (1111 SW Broadway, PDX) 
- By phone 800.745.3000.

*Preferred Tickets only* (NO GA)
*LIMITED NUMBER OF TICKETS* 

 

Ambition, dedication, and lyrical prowess are some of the factors that are setting Chaundon apart from the pack in 2012. The other factor – embarking on a journey of notoriety with the release of the first of his three LP’s in 2012, titled The Jammington. The Jammington is a full LP, produced almost entirely by New York producer ATG, with two tracks produced by Chaundon himself. The Jammington will include features from artists such as Craig G, Skillz the DJ, DJ Flash, YC the Cynic, Cartoons Musik, and VonPea.


Following the successful year of 2010 with the release of an EP titled Chaundon Presents…Baby Making Music, and his sophomore LP, No Excuses, Chaundon reentered the studio with the intention to continue to blur the traditional lines of the music industry when creating The Jammington. “My motivation is knowing that I did this without a co-sign like the rest of them. What makes this album stand out is the fact it was created outside of guidelines most of these labels follow,” states Chaundon.

 

“I went into recording knowing I was going to make an album I just didn’t want to worry about the process of ‘making an album,’ so I could be free to make the music I wanted to make without limits.” Developing The Jammington in this way will allow Chaundon to give his current fanbase and new fans alike a feeling of euphoria, “I want them to feel the same excitement I had creating the album,” he shares.

The Jammington will be released on Golden Era Music, the all genre encompassing label that Chaundon himself created, on March 6, 2012.

The album will be available on iTunes and goldeneramusic.com.

Chaundon will also be performing at the following show dates in February and March of 2012:

* February 11 – Portland

* February 12 – Vancouver

* March 15,16,17 – SXSW, Austin, TX

#Seattle

Esperanza Spalding has announced world tour dates beginning April 18, 2012, as the bassist, vocalist and composer unveils the brilliant compositions of her new release, Radio Music Society, into a dynamic “big band” format.

It has not taken Spalding long to emerge as one of the brightest lights in the musical world. Listeners familiar with her stunning 2008 Heads Up International debut, Esperanza, and her best-selling 2010 release Chamber Music Society, were well aware that the young bassist, vocalist and composer from Portland, Oregon was the real deal, with a unique and style-spanning presence, deeply rooted in jazz yet destined to make her mark far beyond the jazz realm. That judgment was confirmed on February 13, 2011, when Spalding became the first jazz musician to receive the GRAMMY®Award for Best New Artist.

Spalding’s latest release, Radio Music Society, set for March 20, 2012, is her most diverse, ambitious and masterful recital yet. Each of the 12 songs are accompanied by conceptual music videos, which further express her inspiration and story behind each track. Shot in various locations including New York City, Barcelona and Portland, all videos will be available to purchasers of Radio Music Society as a digital download or a DVD on the deluxe version.

Upcoming national TV appearances for Spalding include the Late Show with David Letterman, The View and Jimmy Kimmel Live. Look for features on Radio Music Society in O! Magazine, Vogue, Elle, Marie Claire, Latina Style, Glamour, W Magazine, Essence, Vibe, Men’s Journal and Hemispheres in-flight magazine,as well as USA Today, the New York Times, Associated Press and the Wall Street Journal, among others.

Fans of Spalding who purchase tickets thru Ticketmaster will receive a free song download of “City of Roses” fromRadio Music Society, and in celebration of Black History Month, can purchase the e-single “Black Gold” (which includes a music video) on iTunes beginning February 7.

April 18 – Buffalo, NY – Center for the Arts – tickets onsale January 20

April 19 – Cleveland, OH – Metro Campus Auditorium – tickets onsale January 20

April 21 – New York, NY – Webster Hall – tickets onsale January 20

April 22 – Boston, MA – Orpheum Theatre – tickets onsale January 17

April 24 – Seattle, WA – Paramount Theatre – tickets onsale January 27

April 25 – Portland, OR – Crystal Ballroom – tickets onsale January 27

April 27 – Hollywood, CA – The Music Box – tickets onsale January 21

April 28 – Phoenix, AZ – JW Desert Ridge Jazz Festival – tickets onsale January 16

May 1 – Dallas, TX – House of Blues – tickets onsale January 16

May 2 – Houston, TX – House of Blues – tickets onsale January 16

May 3 – New Orleans, LA – New Orleans Jazz & Heritage Festival – tickets on sale now

May 5 – Austin, TX – Paramount Theatre – tickets onsale January 20

May 23 – Paris, France – La Cigale – tickets onsale TBD

May 28 – London, UK – KoKo – tickets onsale TBD

June 27 – Ottawa, ON – Ottawa Jazz Festival – tickets onsale TBD

June 29 – Montreal, QC – Metropolis Theatre – tickets onsale now

June 30 – Saratoga Springs, NY – Saratoga Performing Arts Center – tickets onsale TBD

More dates will be announced in the coming weeks. Follow the Radio Music Society online at: www.esperanzaspalding.com

What do all of the artists in these photos have in common???? They will all be performing in the NORTHWEST via Partners of ToyBox.

SUPPORT THE MOVEMENT

*Kirko Bangz exclusively via ToyBox Consulting!

Almost forgot Nipsey Hustle 

Jan 20th, Seattle

Wu-Tang Clan
Emerging in 1993, the Staten Island, NY-based Wu-Tang Clan proved to be the most revolutionary rap group of the mid-’90s - and only partially because of their music. Turning the standard concept of a hip-hop crew inside out, the Wu-Tang Clan were assembled as a loose congregation of nine MCs, almost as a support group. Instead of releasing one album after another, the Clan was designed to overtake the record industry in as profitable a fashion as possible - the idea was to establish the Wu-Tang as a force with their debut album and then spin off into as many side projects as possible. In the process, the members would all become individual stars. Surprisingly, the plan worked. All of the various Wu-Tang solo projects elaborated on the theme the group laid out on their 1993 debut, the spare, menacing Enter the Wu-Tang (36 Chambers). Taking their group name from an powerful, mythical kung fu sword wielded by an invincible congregation of warriors, the crew is a loose collective of nine MCs. All nine members work under a number of pseudonyms, but they are best known as RZA , GZA/Genius, Ol’ Dirty Bastard, Method Man , Raekwon the Chef , Ghostface Killah , U-God, Inspectah Deck, and Masta Killa. The vision of the Wu-Tang Clan is undoubtedly due to the musical skills of RZA. Under his direction, the group - through its own efforts and the solo projects, all of which he produced or co-produced - created a hazy, surreal, and menacing soundscape out of hardcore beats, eerie piano riffs, and minimal samples. Over these surrealistic backing tracks, the MCs rapped hard, updating the old-school attack with vicious violence, martial arts imagery, and a welcome warped humor. By 1995, the sound was one of the most instantly recognizable in hip-hop. The first Wu-Tang Clan single, the hard-hitting Protect Ya Neck, appeared on their own independent label and became an underground hit. Soon, the record labels were offering them lucrative contracts. The group held out until they landed a deal that would allow each member to record solo albums for whatever label they chose - in essence, each rapper was a free agent. Loud/RCA agreed to the deal, and the band’s debut album, Enter the Wu-Tang (36 Chambers), appeared in November of 1993. Enter the Wu-Tang (36 Chambers) was both critically acclaimed and commercially successful. C.R.E.A.M., released in early 1994, was the single that put them over the top and won them a devoted following.

Wu-Tang Clan

Emerging in 1993, the Staten Island, NY-based Wu-Tang Clan proved to be the most revolutionary rap group of the mid-’90s - and only partially because of their music. Turning the standard concept of a hip-hop crew inside out, the Wu-Tang Clan were assembled as a loose congregation of nine MCs, almost as a support group. Instead of releasing one album after another, the Clan was designed to overtake the record industry in as profitable a fashion as possible - the idea was to establish the Wu-Tang as a force with their debut album and then spin off into as many side projects as possible. In the process, the members would all become individual stars. Surprisingly, the plan worked. All of the various Wu-Tang solo projects elaborated on the theme the group laid out on their 1993 debut, the spare, menacing Enter the Wu-Tang (36 Chambers). Taking their group name from an powerful, mythical kung fu sword wielded by an invincible congregation of warriors, the crew is a loose collective of nine MCs. All nine members work under a number of pseudonyms, but they are best known as RZA , GZA/Genius, Ol’ Dirty Bastard, Method Man , Raekwon the Chef , Ghostface Killah , U-God, Inspectah Deck, and Masta Killa. The vision of the Wu-Tang Clan is undoubtedly due to the musical skills of RZA. Under his direction, the group - through its own efforts and the solo projects, all of which he produced or co-produced - created a hazy, surreal, and menacing soundscape out of hardcore beats, eerie piano riffs, and minimal samples. Over these surrealistic backing tracks, the MCs rapped hard, updating the old-school attack with vicious violence, martial arts imagery, and a welcome warped humor. By 1995, the sound was one of the most instantly recognizable in hip-hop. The first Wu-Tang Clan single, the hard-hitting Protect Ya Neck, appeared on their own independent label and became an underground hit. Soon, the record labels were offering them lucrative contracts. The group held out until they landed a deal that would allow each member to record solo albums for whatever label they chose - in essence, each rapper was a free agent. Loud/RCA agreed to the deal, and the band’s debut album, Enter the Wu-Tang (36 Chambers), appeared in November of 1993. Enter the Wu-Tang (36 Chambers) was both critically acclaimed and commercially successful. C.R.E.A.M., released in early 1994, was the single that put them over the top and won them a devoted following.

Footage from one of the biggest major Toybox Consulting Collaborations of the year - WALE AMBITION TOUR CONCERT Brought to Seattle by Clutch Events.  With after party sponsored by Good Life, First Class Ent, KNPR, Seatown Promotions… and ToyBox Consulting!

We had a wonderful evening… looking forward to the next! 

Concert was held at Neumos among a SOLD OUT CROWD.

Also performing, Black Cobain, Luck One, and Logics

After Party Venue: Repuliq Night Club - 1000 of Seattle’s BEST of the Best socialites including NBA, local hip hop artist, NFL players and MORE

More response from Brandon about his retirement: “Brandon Roy says he knew it was just a matter of time: ‘I have to think about my family’”

At first, he felt the knees. Then, Brandon Roy heard them. 

It was last week, days before training camp was to start for the Portland Trail Blazers, and Roy was intensifying his efforts to come back from yet another round of knee surgeries the season before. 

His workouts, casual and playful during the lockout, became serious and strenuous, just like they always did as he prepared for a season during his storied career. 

He was determined to make a comeback. To prove people wrong. To prove that the people who were standing by him were right. 

But something wasn’t right. And he knew it. 

“The more I would try to prepare to have this big comeback year, the worse my knees would continue to feel,” Roy said Thursday in his first public comments since July. “As we approached training camp, there was clicking in there, there was something  in there really bothering me, and I was starting to feel like I would have to have another (surgery) just to help me get by day-to-day.” 

Days earlier he had met with the Trail Blazers’ brass: president Larry Miller, interim general manager Chad Buchanan and head coach Nate McMillan. And later he would talk with owner Paul Allen. They all made his heart swell with unyielding support. 

But deep down, he knew about his aches. And he knew about the clicks. 

“The Blazers were supporting me 110 percent, and it made me feel that if they could give me that much support, then I had to be 100 percent honest about how I was feeling,” Roy said. “I felt I owed it to the organization to be as honest as possible.” 

He scheduled an appointment with team orthopedist Don Roberts, who over the years Roy said had become more than just a doctor, but also a friend. 

“I didn’t tell anyone else,” Roy said. “I wanted to ask questions; I wanted to get answers. And he gave me answers about what he truly felt — not as the Trail Blazers’ doctor, but as a friend of mine who knows my knees more than anybody.” 

The answer would alter the course of Trail Blazers history. 

“I don’t want to put words in his mouth, but he told me I was finished playing basketball,” Roy said. 

That night, Roy called the Blazers and told them his career was over. He would seek medical retirement because of a career-ending injury. 

A dream dashed 

It had been one week since Brandon Roy heard those words, and yet, he still hadn’t repeated them until Thursday. 

“When I say it, career-ending … it’s hard,” Roy said, his voice cracking. “Ever since middle school … you want to be the best player, and to know that dream of aiming to be the best is over, it’s tough. Very tough.” 

The Blazers on Thursday waived Roy, using the NBA’s newly instituted amnesty clause, which allows teams to wipe a contract off the books. Roy will be paid the remaining $63 million left on his contract, but none of it will count against the Blazers’ salary cap. As a result, the Blazers were eligible for more free agent money, which they used Thursday to sign high-scoring Jamal Crawford, one of Roy’s closest friends. 

He says he is at peace with the Blazers’ decision, and pleased that the move enabled them to sign a quality player like Crawford. 

“I’ve been drooling to play with Jamal; the timing just wasn’t right,” Roy said. “But Portland will love him.” 

Roy said he would never play again. Not this year. Not next year. Not five years down the road. In the background, his 4-year-old son Brandon Jr. and 2-year old daughter Mariah are audible, and he adjusts the phone to tend to them. 

“As much as I want to prove right that one guy who says I still have something in the tank, I have to think about my family and what the doctor is telling me,” Roy said. 

Hard to say goodbye 

He admits it hasn’t really hit him yet. He has internalized many of his feelings, and the subject has become somewhat taboo around his family. 

“We try not to talk about it, and change the subject,” Roy said. 

But truth be told, he always knew it would come to this. He just didn’t think it would come so soon. 

His knees have bothered him since high school, when he had the first of his six knee surgeries that eventually left him without the meniscus in either knee, causing bone-on-bone friction when he jumped and cut. 

Swollen knees became as common as blisters, but he was always able to play through it, sometimes heroically, like Game 4 of the 2010 playoffs against Phoenix, when he returned eight days after knee surgery to play and help the Blazers to victory. 

“Even when I felt like my knees were giving me problems, I remember telling my dad that I have to play in every game because I don’t know how many I will get to play,” Roy said. “There were times my knees were swelling up so bad I didn’t know how long they were going to hold up. So I felt I had to go for it, now.” 

In a meeting yesterday with Allen, the Blazers owner made Roy a standing offer to return to the organization in some capacity. Roy said he appreciates the gesture, but right now, the hurt is too sharp, the pangs too deep. 

At 27, Roy says the only thing on his agenda is to return to the University of Washington, where he is three quarters shy of completing his degree in American ethnic studies. He said he also wants to take some communications courses. 

“Getting my degree, that’s as much of a goal for me as winning an NBA championship,” Roy said. “I think getting that will help cure some of the pain, because coming out of high school, I didn’t think I would be able to even go to college.” 

Career full of memories
 
He carries the pain of leaving the NBA at such an early age, but he will also carry memories that will never fade. His fondest, he says are getting drafted in 2006, and getting his first start in the preseason against Ray Allen. Also, his first NBA game, which happened to be in his hometown of Seattle. Then, there was the first of his three All-Star selections. 

“I ran around the house for 10 minutes yelling, ‘I made the All-Star team! I made the All-Star team!” Roy said, chuckling. 

He remembers scoring a Rose Garden-record 52 points against Phoenix in December 2008 and returning home to find 52 snowballs placed on his steps. He remembers his wife, Tiana, being brought to tears seeing the gate outside his home littered with notes and signs from supporting fans after Game 2 of last year’s playoffs, when he made emotional comments about not playing. And there’s the 41-point game on Christmas, the 42-point playoff game at Houston, the rainbow three-pointer with 0.8 seconds to beat Houston in a game televised on TNT … 

“I don’t know what other people were expecting, but for me, I remember so many times going home after a game and laying in bed going ‘Wow! This is crazy,’” Roy said. “Every time it was new. I was on cloud nine.” 

One day
 
But his biggest memory, he admits, is Game 4 against Dallas last April, when he scored 18 of his 24 points in the fourth quarter, leading the Blazers back from 23 points. He said he felt like a hand came down and touched him that day. Never before has he felt like that on a court, so much so that he says he got chills during the game. 

One day, he says he wants to relive those memories. One day, he wants to come back to the Rose Garden, when it’s completely empty, just him and the rim. He wants to soak it in, he says, and remember that shot from here, and that move he made there. One day, he wants to remember. 

“I think Paul (Allen) would let me do it,” Roy said. 

But that day is not today. And it won’t be any time soon. Roy admits that he has not yet come to grips with his departure from the game. And he doesn’t know how he can ever replace that special relationship he had with the Portland fans. 

So he can not yet come back, because he has not yet allowed himself to go. 

“You can walk away from someone who doesn’t love you. And you can walk away from someone you don’t love. But when the love is mutual,” Roy said. “The hardest thing is to walk away.

Jason Quick, The Oregonian
Posted:  12/15/2011 10:25 PM

yet another WONDERFUL highlight of my beloved cousin Brandon Roy’s Carrier, the best 5 and a half years a family could ask for!! Before the news of retirement… my 5 year old son said “Cousin Brandon, are you going back on TV?” He said “Yes.” A few days later…. We learned he would be right back at home …. 

Every day is OUR best day as a family… no mater what the circumstances!

Brandon Roy Cries After Huge Win vs Dallas in Game 4

STATEMENTS FROM BRANDON ROY, PAUL ALLEN AND LARRY MILLER REGARDING BRANDON ROY

BRANDON ROY
“This is a very difficult and painful day. I love the game, I love the Portland Trail Blazers and I love our fans, but after consulting with my doctors, I will seek a determination that I’ve suffered a career ending injury, pursuant to the rules of the collective bargaining agreement. 

“My family and health are most important to me and in the end this decision was about them and my quality of life. I want to thank Paul Allen, Larry Miller, Coach McMillan, the entire Trail Blazers organization and our fans for all of their love and support during my time in Portland. It was a great ride.” 

PAUL ALLEN 
“Like every Blazer fan, I am very sad to learn that Brandon’s playing days have ended. Up until Thursday night we were looking forward to seeing him back on the court Friday for the first day of practice. 

“I want to personally thank Brandon for all he’s done as a Trail Blazer, on and off the court. He is a true All-Star and we all rooted for him as he gave us so many amazing moments during his five years as a Blazer.” 

LARRY MILLER 
“Brandon Roy will always be a Trail Blazer in our hearts and minds. He was an All-Star and a warrior every night that he stepped on the court and gave everything he had to help us win. He was a role model on and off the court, and through his leadership he turned us into a winning franchise once again.”

Source: http://www.nba.com/blazers/news/statements_from_brandon_roy_p_2011_12_10.html

NSFW: Bow Wow’s VLOG of his trip to the Northwest!! Looks like my folks treated him well! BOOK US!  I can’t even lie, he made the Northwest look like a party capitol!

Slim Thug even stopped by the party was hosted by Good Life Inc. and friends~

WE RUN THIS TOWN!